War and Peace
Directed by Anand Patwardhan
First Run/Icarus Films, 2002
Anand Patwardhan’s excellent documentary
War and Peace on the nuclear
arms race between India and Pakistan is the sort of film that is often
ignored in the U. S. because it deals with issues that most Americans
feel are not of immediate interest to them. This is unfortunate for two
reasons: first it means that people are missing a moving and informative
documentary and secondly it is an indication of the complete lack of
interest that many Americans have about events occurring beyond the
U.S., Western Europe or the Middle East. This is an epic documentary
that was filmed in India, Pakistan, Japan and the United States to allow
Patwardhan to explore the complexity of this issue over the course of its
170 minutes. The film shows how a combination of religious fundamentalism,
nationalism and political corruption in both India and Pakistan
has lead to a Cold War style stand off that has come close to developing
into a nuclear war several times in the past few years. In addition,
it shows how the nuclear industry has affected the lives of ordinary Indian
citizens who live near nuclear test sites, and uranium processing
facilities.
The film begins with the assassination of Gandhi which for
Patwardhan symbolized the death of the potential for a tolerant, multiethnic
and multi-religious society on the Indian subcontinent. What
has occurred since Gandhi’s death, Patwardhan argues, is a gradual splintering
of India society and a corresponding rift between India and Pakistan
as religious fundamentalism became stronger in both countries.
This division has been exploited by political and religious leaders on
both sides who try to win support by demonizing their opponents.
Indeed throughout the film, we see religious and political leaders trying
to show some sort of a tie between religion, nuclear weapons and the
prestige of India. Ganesh is often shown blessing nuclear weapons and a
1998 underground nuclear test at Pokhran was actually held on the
Buddha’s birthday. We also see the scientists who created the Indian
nuclear program being praised by Hindu leaders at a special ceremony
celebrating India’s nuclear program.
However, Patwardhan also shows people who are trying to heal the
splits between the various communities in India and Pakistan. We see a
group of Indians, many of whom were officers in the wars between Pakistan
and India meeting with government officials, military officers and
ordinary citizens in Pakistan. We see a group of doctors who are traveling
to various nuclear sites in India to test people for radiation related
diseases and educate people about the dangers of radiation exposure.
We also see peace activists and artists who are trying to counter the
divisive rhetoric of nationalist politicians and religious leaders.
Probably the most moving section of the film is a series of interviews
with a survivor of the bombing of Hiroshima who visits India to
talk about his experience of the nuclear blast that destroyed his home
and killed his sister. He later invites Patwardhan and a delegation of
Pakistan and Indian peace activists to visit Hiroshima and Nagasaki and
attend special ceremonies at the Hiroshima Peace Museum on Hiroshima
Day. Patwardhan includes footage from the nuclear blast at Hiroshima
to show the dangers of India and Pakistan’s current path.
The main issue in this nuclear race seems to be respect. The film
contains innumerable references by India scientists and politicians to
how the tests at Pokhran have put India “on the map” and how Indians
no longer need to feel inferior to other more powerful nations like the
United States. Even some of the leaders in the villages surrounding the
test site argue that despite the dangers of underground nuclear testing,
the prestige the test have lent their village are worth the risk. Patwardhan’s
goal is to show the real risk that these people are running and he succeeds
admirably.
Reviewed by Jonathan Derr
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